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RAOUL DUFY:
A CELEBRATION OF BEAUTY
A new international traveling
exhibition, Raoul Dufy: A Celebration of Beauty about the
French artist, Raoul Dufy (1877-1953), and his far-reaching influence
as a painter, textile designer, and printmaker is now being made
available for presentation at museums worldwide. The exhibition was
organized by the Humanities Exchange, Montreal, Canada. In 2006 it
successfully toured museums in Japan, including: the Daimaru Museum,
Osaka; the Iwaki City Art Museum; the Shizuoka Art Gallery and the
Daimaru Museum, Tokyo. Attendance averaged 1000 visitors per day. The
exhibition includes over 100 paintings, watercolors, drawings and
woodcuts from European private collections -- the great majority never
exhibited before -- and over 75 original fabric projects presented from
the archives of Bianchini-Ferier, in Lyon, France, offering an
unprecedented view of the oeuvre of Dufy. This exhibition acknowledges
the universal character of his work, the astonishing range of his
creative energy, and his eminent place in the history of art. The
exhibition is a re-appraisal of the work of Dufy and covers his long
career from about 1900 until 1953.
Exhibition
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GASTON LACHAISE:
SCULPTURE & DRAWINGS
International Traveling Exhibition
The GASTON LACHAISE: SCULPTURE &
DRAWINGS Exhibition is
returning from a highly successful tour of museums in Europe. It is
currently scheduled for presentation at the New Orleans Museum of Art
and the Nasher Sculpture Center in Dallas in the Fall of 2007. The
exhibition includes a total of 75 sculptures, including 7 monumental
works by Lachaise never before exhibited together at one time, and 20
drawings. Lachaise, born in France, is best known for his
interpretations in bronze of the female form, and is considered to be
one of the most significant sculptors to have worked in the US during
the early part of thie 20th Century. His sculptures are included in the collections of
MOMA, New York; The Metropolitan Museum of Art, NY; The San Francisco
Museum of Art, UCLA; the Chicago Art Institute; The Hirshhorn Museum,
Wash., DC; and numerous others. A special catalogue is planned
for the exhibition.
Exhibition
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FROM PROCESS TO PRINT: GRAPHIC WORKS BY
ROMARE BEARDEN
The Romare Bearden Foundation, a New York
based foundation dedicated to the legacy of the preeminent American
artist, has organized the exhibition FROM PROCESS TO PRINT:
GRAPHIC WORKS BY ROMARE BEARDEN for national tour. The
exhibition follows the groundbreaking touring retrospective, THE
ART OF ROMARE BEARDEN, organized by the National Gallery of
Art, Washington, DC, by focusing in depth on Bearden’s graphic oeuvre. FROM PROCESS TO PRINT presents a major survey of the extensive graphic works created by
Romare Bearden over more than 30 years. Included are 75 lithographs,
etchings, collotypes, serigraphs, screen prints, drypoints, monotypes,
and engraving and collotype plates. and 1 collage and 1 photomontage
that were the basis for some of the prints in the exhibition. The exhibition will be available for tour starting in
the fall of 2009 through 2012 and will be accompanied by a major
publication with essays by art historians and master printmakers who
worked with the artist. The exhibition tour will be limited to 6-8
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LYNN CHADWICK: IN CONTACT
Sculpture
from the Philip and Muriel Berman Museum of Art, Ursinus College
One of several talented British sculptors who burst
upon the international art scene in the late 1950s, Lynn Chadwick
helped establish an entirely new vocabulary for this form of art.
Inspired by the career of Henry Moore, Chadwick's work exhibits a
fascinating evolution of personal images; a series of animals, birds,
imaginary beasts and rhythmic double and/or triple figures
characterized by their thrusting energy. Other more static forms called
"Watchers" or "Strangers" stand alone or in totemic groups, expressing
a monolithic power. The 40 medium and
small sculptures, and 5 lithographs in the exhibition are drawn from the
permanent collection of the Philip and Muriel Berman Museum of Art at
Ursinus College which includes 137 works spanning the years of 1954 to
1984.
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RICHMOND BARTHE:
HIS LIFE IN ART
Richmond Barthé (1901-1989) is recognized as one of the foremost sculptors of his generation. Following his graduation from The Art Institute of Chicago in 1928, Barthé moved to New York and established a studio in Harlem where he became associated with the Harlem Renaissance. He is also known for his many public works. The exhibition is curated by esteemed art historian, Samella Lewis, Ph.D., in conjunction with the publication of her new extensive biography Richond Barthé, His Life In Art. Included in the exhibition are 30 sculptures plus 10 photomurals of Barthe and his public works. The exhibition tour will begin in the Fall of 2009 at the Charles H. Wright Museum of Arfrican American History, Detroit, MI and will then be available for scheduling beginning in 2010 through 2012. The exhibition is being organized by Landau Traveling Exhibitions.
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FRANCISCO GOYA:
LOS CAPRICHOS
First Edtion,100 works in total, examples of
Goya’s other graphic series, Enrique Chagoya’s “Return to the
Caprichos” series, 2 antique maps of Spain. Robert Flynn Johnson,
Curator in Charge, Achenbach Foundation for Graphic Arts, Fine Arts
Museums of San Francisc contributes an essay about Goya and Los
Caprichos. He has also has undertaken an enlightening comparison
between three interpretive manuscripts contemporary with Goya
discussing each of the 80 plates.
Exhibition
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SORDID AND SACRED:
THE BEGGARS IN REMBRANDT'S ETCHINGS
35 Rare Etchings from the John Villarino Collection, 2006 is the 400th Anniversary of the birth of
Rembrandt. Widely recognized as the greatest practitioner of the
etching technique in the history of art, Rembrandt created 300 prints
that constitute a body of work unparalleled in richness and beauty. He
repeatedly chose beggars as the subject for his etchings. Dutch author,
art historian, and editor of: The Complete Etchings of Rembrandt, Gary
Schwartz, contributes an essay.
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PABLO PICASSO:
ETCHINGS 1966-1971
Forty rare “before steel facing”
etchings by the 20th century master, Pablo Picasso, are featured in a
new exhibition organized by Landau Traveling Exhibitions. Picasso
follows Rembrandt, Durer and Goya, in extending and developing the
etching tradition. Etching was the favorite printmaking method of these
masters, and was especially favored by Picasso. The Picasso engravings
in the exhibition were done between 1966 and 1971 are rare “before
steel facing” proofs. They are early proofs printed long before their
respective editions were pulled, and are richer in contrast than the
regular editions. They were kept by Picasso for his personal collection
in the course of creating his 60, 156 and 347 Series. The works in this
exhibition come from the collection of Leslie Sacks Fine Art, Los
Angeles, CA.
Exhibition
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EMOTIONAL IMPACT:
FIGURATIVE EXPRESSIONISM AMERICAN STYLE
From the Kresge Art
Museum,
East Lansing, MI
In
America, starting in the 1950s--the heyday of Abstract Expressionism
and New York’s takeover of the center of the artworld – a number of
artists, in New York, in the San Francisco Bay Area, and around the
country, decided to return to the figure. But as they were profoundly
committed to the energetic Abstract Expressionist way of painting that
had been formative of their styles, they would not give it up, choosing
instead to adapt it to their equally profound need to paint
recognizable imagery.The 50
paintings, works on paper and graphics of more than 30 major American Figurative Expressionists have been
organized by Kresge Art Museum Curator April Kingsley into an
exhibition which will open at the Kresge Art Museum in fall/winter 2010
and then be available to travel to other venues starting in 2011. The
catalogue, published by the Michigan State University Press, will have
approximately 200 pages
and 50 color reproductions. Artists include: Robert Beauchamp, Miriam Beerman,
Nell Blaine, Nanno de Groot, Elaine de Kooning, Willem de Kooning,
Robert de Niro, Sr., Richard Diebenkorn, Sherman Drexler, Louis
Finkelstein, Sideo Fromboluti, Philip Guston, Grace Hartigan, Robert
Henry, Oliver Jackson, Lester Johnson, Wolf Kahn, Vera Klement, Irving
Kriesberg, Nicholas Marsicano, George McNeil, Jay Milder, Nathan
Oliviera, David Park, Joan Savo, Nora Speyer, Bob Thompson, Selina
Trieff, Hiram Williams, Paul Wonner.
Exhibition
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PORTE-BOUQUETS:
REMARKABLE JEWELS
Antique Posy Holders from the
Bilgi Kenber Collection, Paris, France
This special exhibition presents one of the world's finest collections of Porte-bouquets, antique posey holders. These small objects of adornment provided the finishing touch to the embellishment rituals of the most refined ladies of the 19th century. Made of gold, silver or gilded metal, with handles of shell or ivory, they were used to hold in place the small bouquets of flowers that European women would wear at balls and large celebrations. The 130 exquisite objects in the exhibition come from the Bilgi Kenber Collection of Paris, France and are being made available for presentation in the United States and Canada for the first time. The Kenber Collection has previously been exhibited in Europe at the following museums: Muséé Cognacq-Jay, Paris; The Fan Museum, Greenwich, London; Musée des Beaux-Arts de Carcassonne, Carcassonne; Museo Mario Praz, Rome; Museu Frederic Marès, Barcelona. Exhibition
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herbert bayer
bauhaus & beyond:
a life of art & design
Sculpture, maquettes, drawings,
photo-montages, prints posters and tapestrys, by the Bauhaus-trained
artist whose European avant-garde art influenced post-war American art
and design. 75 works in total
Exhibition
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Edward Mitchell Bannister
Jacob Lawrence
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THE ARTHUR PRIMAS COLLECTION:
150 YEARS OF
AFRICAN AMERICAN ART
This exhibition presents works from the Arthur Primas Collection. This significant collection of African American Art includes paintings, sculptures, works on paper, graphics and documents which cover a period of one hundred and fifty years. Included in the exhibition are 75 works by more than 30 artists. Artists include: Ron Adams, Charles Alston, Benny Andrews, Edward Mitchell Bannister, Richmond Barthe, Romare Bearden, John Biggers, Howard I. Bingham, Elizabeth Catlett, Robert Colescott, Bryan Collier, Beauford Delaney, Aaron Douglas, Tafa Fiadazibe, Sam Gilliam, William Gropper, Curtis James, Jacob Lawrence, Hughie Lee-Smith, Al Loving, Richard Mayhew, Ralph Morse, William Pajaud, Howardena Pindell, James A. Porter, Mario Robinson, Bob Thompson, Charles White, Hale Woodruff, Richard Wyatt and more...
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Elizabeth Catlett

Al Loving
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WPA GRAPHIC WORKS:
FROM THE AMITY ART FOUNDATION COLLECTION
40 lithographs, etchings, and woodcuts by
artists who worked with the printmaking programs of the Federal Arts
Project of the WPA.
Exhibition
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VISIONARY ART:
FROM FANTASTIC REALISM TO PSYCHEDELIC
100 paintings, 100 posters, from the
Viennese School of Fantastic Realism, to the psychedelic school of the
1960’s and 1970’s, to the present, from the Dworken and Aberbach
Collections and others
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SUSTAINED
WINDS
BEFORE-DURING-AFTER
In an effort to support Louisiana artists after
Hurricanes Katrina and Rita, the Acadiana Arts Council of Lafayette,
LA, through its new initiative Project HEAL (Helping Employ Artists
Locally), organized a juried art exhibition giving local and displaced
artists an opportunity to respond to their new environment or
reinterpret past work. “Sustained Winds: before-during-after” has
developed into a multi-disciplinary art exhibition with a powerful
message in which artists have taken their own personal experiences and
translated them into diverse and invocative artworks. The exhibition
includes 57 works by 39 different artists. Included are paintings,
works on paper, multi media, photography and installation works.
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WORKS ON PAPER FROM THE HARMON AND
HARRIET KELLEY COLLECTION OF
AFRICAN AMERICAN ART
Esteemed art historian, David Driskell, Professor of Art at the
University of Maryland at College Park, calls the Kelley Collection
"one of the finest that has been assembled tracing the history of
African American art." The 68 Works in the exhibition date from 1910 to
2002, and represent just a fraction of what is contained in one of the
country's major collections of African American art.
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Thomas Moran
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AN ADVENTURE IN THE ARTS
The Permanent Collection of the
Guild Hall Museum, East Hampton, NY
Established in 1931, Guild Hall is
the primary cultural center on the Eastern End of Long Island. Included
are 73 works of art by more than 40 artists, spanning the early 20th
century through present times, who lived and worked in the East Hampton
area. Included are works by Henri
Cartier-Bresson, John Chamberlain, Chuck Close, Stuart Davis, Willem de
Kooning, Max Ernst, Audrey Flack, Jasper Johns, William King, Lee
Krasner, Roy Lichtenstein, Robert Motherwell, Jackson Pollock,
Fairfield Porter, Robert Rauschenberg, Larry Rivers, James Rosenquist,
Donald Sultan, Andy Warhol & others.
Exhibition
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©2007 The Ansel Adams
Publishing Rights Trust.

©2007 The Ansel Adams
Publishing Rights Trust.
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ANSEL ADAMS:
MASTERWORKS
47 framed photographs from a series that
Adams himself selected as representative of his best work, from the
collection of the Turtle Bay Exploration Center, Redding, CA
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©2007 The Ansel Adams
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WATSON FAMILY PHOTOGRAPHERS:
L.A. STORIES
50 framed photographs, four generations of
press photography through the lens of one family spanning the 20th
Century. In
less than a century, Los Angeles grew from a
coastal enclave to one of the world’s most influential cities. The
Watson
Family of photographers recorded it all – big disasters, small everyday
triumphs, world leaders, petty con men, sports legends and infamous
trials. Across four generations, a Watson photographer (or two)
has been
present at most of the significant events in Southern
California
, and on occasion through-out the world. Spanning
the entire 20th Century, the exhibition presents more than a
historical chronology. It also illustrates how advances in
photo-technology
changed the texture of news photography. The Watson family’s
tradition of
technical innovations (dating to the early 1910’s in both the motion
picture
and still photography) are highlighted throughout the exhibition.
Exhibition
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LEGACY:
THE ART OF BARBARA NATOLI WITT
75 necklaces, plus display stands,
audio-visual presentation. Witt is a contemporary artist with the rare
distinction of having created her own medium. Her unique necklaces
blend tapestry techniques to form intriguing webs of colored threads,
ancient beads, and gem stones which capture at their centers precious
sculptured pieces, artifacts, and heirloom treasures. LEGACY is a
retrospective exhibition tracing 4 decades of Witt’s career. Peripheral
themes relate to the cultural symbolism found in adornment across time
and place.
Exhibition
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FORMULATION: ARTICULATION
SERIGRAPHS BY JOSEF ALBERS
66 works in 39 frames, plus
analytical statements culled from Albers' extensive writings and text
panels. Josef Albers was one of the 20th Century's most influential and
articulate artist/ theorists. Formulation: Articulation is an overview
of Albers' life-time oeuvre. Published in 1972 by Harry N. Abrams, New
York, the works were chosen by Albers himself and produced in
silk-screen under his supervision by Ives-Sillman. Two text panels
are also included: an introduction to and a chronology of Albers by
noted author, art historian and independent curator, Gerald
Nordland.
Exhibition
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A NATION’S CONSCIENCE:
PAINTINGS BY WILLIAM GROPPER
30 paintings,10
cartoons and text panels. Gropper’s best-known subject matter is the
satiric caricature of America's wealthy and powerful, of politicians,
and moguls of business and industry. His first work as a political
cartoonist was at the New York Tribune. His prints and paintings were
featured IN one-man shows throughout the world. The Metropolitan Museum
of Art purchased two of his paintings. He was also commissioned to
paint murals for the Interior Building in Wash., D.C., the State of
Pennsylvania and a post office in Detroit.
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