Exhibitions Currently Available


A new exhibition featuring prints by Pablo Picasso is being made available for circulation through 2026. Presented are 63 works created between 1923 and 1972 - etchings, lithographs and linocuts, plus one cancelled copper printing plate. An introductory essay by Eric Mourlot, grandson of Fernand Mourlot, one of Picasso’s most important printers, accompanies the exhibition. The works come from the collection of Dr. Timothy Collins of Los Angeles, CA.

Picasso was a major innovator in the medium of printmaking. He made prints throughout his career — his first in 1899, when he was still a teenager; his last in 1972, when he was 90. Experimenting all the while, he produced some 2,400 prints in total, in a wide variety of techniques, most notably etching, lithograph and linocut. Over the decades he worked with numerous print ateliers, including Arnera, Mourlot, Crommelynck, Frelaut, Lacouriere, Desjobert, and Fort.

A special feature of the Collins Collection is the number of proofs. These proofs illustrate the unique working relationship Picasso maintained with his printers and their ateliers and allows for the examination of the working process behind it. Their craftsmanship made Picasso's extensive and revolutionary experimentation with the media possible. In the six examples of Tete de Femme au Chapeau, (above) from the exhibition, we can see preliminary proofs in the various colors along with the final full color print.

Another highlight of the exhibition is a cancelled original copper printing plate from 1948, Femme au Chignon, along with a print pulled from the plate.

The exhibition was organized by Landau Traveling Exhibitions, Los Angeles, CA. Exhibition dates are available beginning in September, 2021 - 2024.

- Exhibition Website -


Propagandist, arch manipulator, inciter, provocateur, these are all words used to describe the artist, Shepard Fairey, the man many hail as the originator of the modern urban art scene and an undeniable phenomenon.

FACING THE GIANT presents a survey of the last three decades of Shepard Fairey's work. The 30 selected artworks in the exhibition are 30 x 41-inch hand painted multiples - prints on unique collaged backgrounds with additional stencilling and embellishments - done in 2019.

Propagandist, arch manipulator, inciter, provocateur, these are all words used to describe the artist, Shepard Fairey, the man many hail as the originator of the modern urban art scene and an undeniable phenomenon. FACING THE GIANT presents a survey of the last three decades of Shepard Fairey's work

The title ‘FACING THE GIANT’ references the giant of Fairey’s prolifically disseminated Obey Giant art campaign, but more enduringly, the giant issues and forces he confronts through his art.

FACING THE GIANT is a curated series of images chosen for their importance aesthetically and conceptually, and for addressing critical topics and themes frequently recurring throughout Fairey’s career. “This show is a reflection, not a retrospective, because I’m still very actively creating new art, but I like the idea of highlighting both the continuity and evolution of my art and concepts over 30 years.” – Shepard Fairey, 2019.

- Exhibition Website -



Works on Paper by the Artist & His Circle

Although often aloof to strangers, Edgar Degas elicited great reciprocal warmth and loyalty from his family, and as well from a wide circle of friends that included some of the greatest writers and artists of the epoch.

This special exhibition, consists of more than 70 works: 20 drawings;



13 prints; 3 photographs; 2 monotypes; 1 sculpture; and a letter, all by Degas; along with 15 color aquatint facsimiles after Degas’ monotypes commissioned shortly after the artist’s death by his friend and dealer, Ambroise Vollard. A catalog accompanies the exhibition.

In its special focus the exhibition endeavors to illuminate the background, personality, and uniqueness of Edgar Degas the man, as well as presenting his genius as an artist.

Supplementing the works by Degas in the exhibition are a select group of rare works on paper by artists whose friendship he shared, including, Marcellin Desboutin, Hippolyte Flandrin, Jean-Auguste Dominique Ingres, Alphonse Legros, Gustave Moreau, Henri de Toulouse-Lautrec, Pierre-Georges Jeanniot, and others.

- Exhibition Website -
The Art & Science of
June Wayne

June Wayne conducted a lifelong exploration of the relationship between Art and Science. In doing so she also revolutionized print making and the textile medium, while fighting fearlessly for freedom of expression and the rightful inclusion of women and minorities in the art world. This new exhibition, which features an essay by esteemed Curator and Art Historian, Jay Belloli, entitled June Wayne: Art & Science, examines this relationship.

THE ART OF EVERTHING exhibition presents 80 works - paintings, prints, mixed media, and weavings, drawn from the archives of the June Wayne Estate. The exhibition will be presented at the Fullerton Museum Center, Fullerton, CA, in the Fall of 2024, in conjunction with the Getty's Pacific Standard Time Initiative which focuses on the "intersections of art and science in a global dimension".

As the founder of the renowned Tamarind Lithography Workshop, Wayne brought lithography masters to the United States to collaborate with experimental artists in residence (1960-1970) at her Tamarind, Hollywood studio, including Louise Nevelson, Ed Ruscha, Charles White, David Hockney, Annie Albers, Ed Ruscha,

Wayne At Her Tamarind
Lithography Workshop 1960's

Louise Nevelson, Sam Francis, Francois Gilot, Rufino Tamayo, Ruth Asawa, Bruce Conner and many others.

The exhibition is now available for scheduling to museums worldwide through 2026. Wayne’s work is represented in the permanent collections of dozens of major museums and private collections. The Los Angeles City Council recognized her cultural and artistic contributions on the centenary of her birth March 7, 2018, as it had done in 1999 at the time of a major retrospective at the Los Angeles County Museum of Art

.- Exhibition Website -


ARTST - ACTIVIST - VISIONARY presents examples of Romare Bearden’s influences as an artist of social conscience and action. Romare Bearden (1911–1988) recognized as one of the most important visual artists of the 20th Century, countered racial stereotypes with images drawn from history, literature, and the free world of his imagination.


Organized by and drawn from the Romare Bearden Foundation Collection,
he exhibition examines how he agitated for change through images and writing. Included are a diverse collection of original collage, watercolor, limited edition prints, reproductions, and rare archival material, including his magazine covers and editorial cartoons. The exhibition premiered at the new Black History Museum in Richmond, VA, in January, 2016. It was presented at the National Civil Rights Museum, Memphis, TN, in 2019.

-Exhibition Website -

Portrait Drawings & Oil Sketches
from Jacques-Louis David to Lucian Freud

CONTEMPLATING CHARACTER is continuing its national tour through 2025. Featured are 81 rare portrait drawings and oil sketches, from the late 18th century to contemporary works. A catalog accompanies the exhibition. The exhibition explores the evolution of portraiture from the end of the 18th century until the present. The invention of photography at the end of the 1830s freed creative artists from the necessity of providing mere likeness through their art, to the degree that Paul Delaroche said, “From today, painting is dead.” He was wrong–it simply freed artists from the chore of representation, allowing imagination and creativity to rule, as this exhibition clearly demonstrates.

-Exhibition Website -


Alphonse Mucha is most often remembered for the prominent role he played in shaping the aesthetics of French Art Nouveau at the turn of the 20th century. Presented are 75 works including; rare original lithographs and proofs; 1 oil painting; 4 drawings; 1 pastel; and books, posters, portfolios and ephemera. Text panel and extended label copy are provided. A catalog is available. The exhibition is curated by esteemed art historian, Gabriel Weisberg, Professor of Art History, University of Minnesota, Twin Cities, who has provided an essay for the exhibition catalogue. The catalogue also includes a contribution from John Mucha, Director of the Mucha Foundation.

-Exhibition Website -

Organized by the Columbus Museum of Art, Columbus, OH, KALI, ARTOGRAPHER, an exhibition of the works of the recently discovered photographer from the 1960s, Joan Archibald (1932-2019) will be presented at the Palm Springs Art Museum in the fall of 2023.

Born in 1962, Long Island housewife Joan Archibald upended her life by fleeing to the warm and creative climes of Southern California where she reinvented herself as a photographer and took the name “Kali” after a Hindu goddess.

Kali soon moved to Palm Springs and spent the following decades experimenting with photography—while becoming increasingly withdrawn and eccentric. It was only in 2019 when Susan Archibald discovered an astonishing trove of images hidden in her late mother's home that Kali became recognized as a significant innovator in alternative photography. Kali developed approaches that used the classic tools of analog photography, but she manipulated
her images in strikingly original ways suggestive of the psychedelic

Joan Archibald (1932-2019)
Portraits - Landscapes - Polaroids - Outer Space
Organized by the

aesthetics of the time. Shooting on black-and-white film, she placed the prints in her swimming pool, physically agitating them as she applied dyes, paints, spray developer, and even organic material. After achieving the final mix of colors and textures, she left the prints to dry in the sun—creating truly one-of-a-kind images.
-Exhibition Website -

From the Michael K. and Marian E. Butler Collection

THE PRINTS OF SAM GILLIAM exhibition is now available for circulation through 2027. Featured are 34 of Gilliam's finest prints done between 1972 and 2009. The prints come from the collection of Michael K. and Marian E. Butler Collection of Miami, FL. The exhibition will include an essay by art historian Lizetta LaFalle-Collins examining Gilliam and his 4 decades of printmaking.

In 1970s, Gilliam’s innovations brought a new vibrancy to abstraction. He and his art have been variously associated styles and movements such as geometric and lyrical abstraction, Abstract Expressionism, and the Washington Color Field School, yet Gilliam’s production is singular.

In 1972 Gilliam became the first black artist to represent the United States at the Venice Biennale, in 2005.

His work is represented in the permanent collections of the Museum of Modern Art,

New York; the Phillips Collection, Washington, D.C.; the Kunstmuseum, Basel; and many others.

The exhibition is scheduled for dispaly at the Lauren Rogers Museum of Art, Laurel , MS, in May of 2026.

-Exhibition Website -


With over 140 original works included from over 75 books, CHILDHHOOD CLASSICS explores the history of children’s books from the turn of the century pen and ink Mother Goose art of Sarah Noble Ives, to the most popular works of today including the digital creations of Mo Willems. The exhibition features the original art of Dr. Seuss, the iconic Wild Things of Maurice Sendak and the perennial heroism of Garth Williams’ Stuart Little. Among the many classic illustrators featured are Rosemary Wells, Richard Scarry, Chris Van Allsburg and Hilary Knight. Fondly remembered characters of literature include Babar, Eloise, Madeline, the Cat in the Hat and Dick & Jane. The exhibition also provides opportunities for schools and libraries to focus on programs for art, literature, and literacy

-Exhibition Website -


IMAGIMATION celebrates the ongoing 100 plus year history of original rare animation production artwork since the creation of this magical art form. The exhibition presents 137 objects - original cels, drawings and models which feature the full range of animation techniques, from the ground breaking traditional animation of Gertie the Dinosaur created by American, Winsor McCay, in 1914, through to today’s many digitally supported animation productions and applications. This exhibition has been collated from the vast 29,000+ piece original international animation art collection preserved over several decades by animation historians and professionals Hal and Nancy Miles, founders of the Animation Hall of Fame.

-Exhibition Website -

The Art of John Van Hamersveld

Iconic Los Angeles pop artist and graphic designer John Van Hamersveld's inspirational creative output is presented in the new traveling exhibition, CRAZY WORLD AIN'T IT: The Art of John Van Hamersveld. This exhibition follows previous museum exhibitions of Van Hamersveld's work, including DRAWING ATTENTION, at the California State University Art Gallery, Northridge, CA,
in 2013, and ERA OF COOL at the Westmoreland Museum of Art, Greensburg, PA, in 2019.

This new exhibition highlights 60 years of Van Hamersveld's works: paintings, drawings, prints, posters, album covers, digital works, photomurals of his public works, and more. Organized by Landau Traveling Exhibitions, Los Angeles, CA, the exhibition is available for presentation at museums world wide through 2026.

- Exhibition Website -

José Guadalupe Posada
Legendary Printmaker of Mexico

José Guadalupe Posada’s images captured all aspects of daily life in Mexico City from 1889-1913, directly inspiring artists like Frida Kahlo, Diego Rivera, José Clemente Orozco and over one hundred years later, he continues to impact countless artists creating today’s social movement imagery. Due to the scope of influence and timeless quality of Posada’s work he has been called prophetic and even the father of Mexican printmaking.

A wide representation of Posada’s work, including his famous Day of the Dead calaveras and the artist’s original printing plates, make up this unique and inspiring exhibition. Bringing together nearly sixty of the artist’s most iconic images, this exhibition is remarkable for its inclusion of rarely exhibited printing plates, many signed in the plate by Posada himself. In addition, the exhibition explores the relatively unknown relationship between the artist and Antonio Vanegas Arroyo, one Mexico City’s most popular publishers with whom Posada worked under, and collaborated with, from 1889 until his death in 1913. The exhibition is available for presentation through 2026.

- Exhibition Website -


An Installation Project by Linda Vallejo

Organized by the Robert and Francis Fullerton Museum of Art, Cal State University San Bernardino, CA, where it premiered in 2023, Brown Baroque: Objects of Opulence, is an installation project by artist Linda Vallejo twelve years in the making. It is accompanied by a fully illustrated catalog with three critical essays, artist statement, resume, and bio, and multiple plates.

The exhibition examines and interprets the politics of color, class, and privilege by appropriating and reconstructing American antique and pop objects to invite the viewer to consider socio-political, socio-culture issues in a space where history, culture, and data interact in an imaginary futurist space. Life-size Victorian interiors are painted in milk-chocolate brown to ask: How are Latinos seen, how do we see ourselves, what is our status in American history? And what are our contributions to American culture and economy?

30% of US Population will be Latino in 2050,
All gouache and pencil on handmade paper

For decades, Linda Vallejo has used her talent, factual information, and references to popular culture to create disparate juxtapositions that can foster questions, prompt conclusions, and call to action. Social and cultural issues like color, class, privilege, visibility, and belonging are addressed from her perspective as a Chicana artist.

- Exhibition Website -


The exhibition features 31 graphic works from three important series of prints, plus 5 significant additional priints, done by Jacob Lawrence between 1971-1997. Included are his Hiroshima Series of 8 prints, the Genesis Series of 8 prints and 10 prints from the Toussaint L'Ouverture Series, Also included are text panels with an introductory exhibition essay, a chronology, and photos of the artist.

The exhibition includes an essay about Lawrence and his printmaking by Peter Nesbett. Nesbett is the Editor of Jacob Lawrence: The Complete Prints (1963-2000) / The Catalogue Raisonne.

Since his first published print in 1963 Jacob Lawrence has produced a body of prints that is both highly dramatic and intensely personal. In his graphic work, as in his paintings, Lawrence has turned to the lessons of history and to his own experience. From depictions of civil rights confrontations to scenes of daily life, these images present a vision of a common struggle toward unity and equality, a universal struggle deeply seated in the depths of the human consciousness. 

- Exhibition Website -


THE ART OF ELIZABETH CATLETT is now available for scheduling through 2026. The works comes from the collection of artist, educator and author Samella Lewis, Ph.D., Professor Emerita, Art History, Scripps College, Claremont, CA. Lewis was a student of Catlett’s in the 1940’s and Catlett became her mentor. The two became lifetime friends.

 Elizabeth Catlett (1915-2012), a sculptor and printmaker, is widely considered one of the most important African American artists of the 20th century. Her work blended art and social consciousness and confronted the most disturbing injustices against African Americans. She is best known for her work during the 1960s and 70s, when she created politically charged, black expressionistic sculptures and prints.

This exhibition features 30 works - sculptures and graphics by Catlett, plus 5 works by her husband, artist, Francisco Mora, and 5 works by Samella Lewis.


- Exhibition Website -

Peggy Bacon
George Bellows
Lynda Benglis
Ross Bleckner
Alexander Brook
James Brooks
Rudy Burckhardt
Howard Russell Butler 
Henri Cartier-Bresson
John Chamberlain
Chuck Close
Stuart Davis
Elaine de Kooning
Willem de Kooning
Gaines Ruger Donoho 
Max Ernst
Audrey Flack
Jane Freilicher
Adolph Gottlieb
George Grosz
Beatrice Grover
Robert Gwathmey Childe Hassam
Arthur Turnbill Hill Jasper Johns
William King
Ibram Lassaw
Michael Lekakis
Roy Lichtenstein
Donald Lipski
Conrad Marca-Relli  Thomas Moran
Robert Motherwell  Hans Namuth
Francis Newton 
Alfonso Ossorio
Henry Havelock Pierce  Jackson Pollock
Fairfield Porter  Abraham Rattner
Robert Rauschenberg
John Reed 
Larry Rivers 
James Rosenquist  David Salle 
Miriam Schapiro
Alan Shields 
Moses Soyer
Raphael Soyer 
Saul Steinberg
Hedda Stern 
Donald Sultan 
Andy Warhol
Lemuel Maynard Wiles  Jane Wilson
Robert Rahway Zakanitch
Joe Zucker

Established in 1931, Guild Hall is the primary cultural center on the Eastern End of Long Island. The East End of Long Island is a unique region that has attracted many diversely talented people such as artists, writers, musicians, actors, and directors over the years. They search for and find inspiration in the natural beauty of the landscape, the magnificent light and the endless beaches.

Guild Hall provided East Hampton with an art gallery, a theater and meeting place - the cultural center in the center of culture. Over the years they built a collection of 1900 art objects from the 19th, 20th and 21st centuries which includes paintings, sculpture, prints, watercolors, drawings and photographs by internationally renowned artists. In 1973 the museum received the distinction of being accredited by the American Association of Museums.

This exhibition includes 72 works - paintings, sculpture. works on paper, prints and mixed-media drawn from the Guild Hall Collection.

- Exhibition Website -

Howard Cook

Thomas Hart Benton

Paul Landacre

Rockwell Kent
Paper Visons
The American Artists Group
And Their Circle

Louis Lozowick

Nura Woodson

J.J. Lankes (1884-1960)

John Wilson

The American Artists Group of New York, or AAG, was one of the most extraordinary artistic experiments of the Depression era. The AAG was founded in 1934 by businessman Samuel Golden and Carl Zigrozzer, a scholar and connoisseur who would go on to become one of America’s great print curators, building the phenomenal works on paper collection at the Philadelphia Museum of Art. This fact alone, that Zigrosser was the eye of the AAG, was the reason for bringing together today the artists he selected to fulfill the group’s vision, which was published in its 1935 Handbook of the American Artists Group.

Importantly, the AAG wished to educate the American public about art. In its first sales catalogue of original prints produced in 1936, the AAG described and explained the different types of printmaking processes. Zigrosser provided biographies of the artists, and told the story of why this artist was deserving of attention. And in the catalogue we find a broad diversity of members. Just

over ten percent of the artists were women (a small percentage by today’s standards, but a highly inclusive number back then). Many members were born in America, but others hailed from Spain, Germany, France, Hungary, Russia, the Ukraine, Mexico, and Japan. Before the AAG would morph into a greeting card company after the Second World War, it promoted the young African American artist, John Wilson.

This exhibition includes 85 works from the collection of Curator/Art Historian, Will South, Ph.D. South served as a curator, then chief curator, at the Utah Museum of Fine Arts in Salt Lake City; the Weatherspoon Art Museum in North Carolina; the Dayton Art Institute in Ohio; and finally at the Columbia Museum of Art in South Carolina.

- Exhibition Website -

From the Ralf C. Nemec Collection

Renowned for his block print book illustrations, particularly The Complete Works of William Shakespeare and Moby Dick, Rockwell Kent worked in a variety of media, including oil painting, woodcuts, lithographs, drawings and ceramics. This exhibition features 50 works by Rockwell Kent (1882-1971) drawn from the Collection of Ralf C. Nemec, the largest assemblage of Rockwell Kent prints in the world.

- Exhibition Website -


Presented are a selection of the ceramics created by Picasso in collaboration with George and Suzanne Ramie and the artisans at their Madoura pottery workshop in Vallauris, Southern France, between the years 1947 and 1971. Internationally famed for his paintings, sculpture, and graphics,

The exhibition features 40 ceramic works - plates, vases and pitchers, including 2 original ceramic works by Pablo Picasso (1881-1973), plus original posters from previous exhibitions and photo murals of Picasso at work at the Madoura pottery.

Pablo Picasso was long intrigued by ceramics. After seeing the works of the Madoura potters at a crafts fair in 1946, he asked Georges and Suzanne Ramie, who operated the studio, to provide him with the opportunity to work with ceramics. From 1947 to 1971 the Ramies set aside space in their studio for Picasso to pot whenever he pleased. In return, Picasso allowed the Ramies to make and sell editions of ceramic pieces he produced at Madoura, and to retain all profits.

The exhibition features an essay and chronology of Picasso by Gerald Nordland, noted author and independent curator, and former Director of the San Francisco Art Museum.


- Exhibition Website -


The seventy works in this exhibition date from the late 1800s to 2002 and represent just a fraction of what is contained in the Harmon and Harriet Kelley Collection of San Antonio, TX, one of the country's major collections of African American art. Esteemed art historian, David Driskell, Professor Emeritus at the University of Maryland at College Park, calls the Kelley Collection "one of the finest that has been assembled tracing the history of African American art." 

Included in the exhibition are drawings, etchings, lithographs, watercolors, pastels, acrylics, gouaches, linoleum and color screen prints by such noted artists as Ron Adams, Benny Andrews, Romare Bearden, Aaron Douglas, Jacob Lawrence, Charles White, Elizabeth Catlett, John Biggers, Henry Ossawa Tanner, Eldizer Cortor, Margaret Burroughs, and many other outstanding lesser known artists.


- Exhibition Website -


The Art of Marc Brown 

Believe in Yourself: What We Learned from Arthur, features original illustrations spanning the career of beloved children’s book author and illustrator Marc Brown. Brown is the creator of the bestselling Arthur Adventure book series, which developed into the popular PBS television series Arthur and is now celebrating its 25th season. The exhibition provides an inside look at Marc Brown’s artwork and stories. It includes many of Brown’s pencil, pen-and-ink, and watercolor illustrations featuring many of the ever-popular characters he has created. Visitors will find all their favorite Arthur characters in this entertaining exhibition, including D.W., Francine, Buster, Mr. Ratburn, and many others. His series of Arthur books became the longest running animated children’s television program in history.

The exhibition, which is now available through 2026, was organized by the Fenimore Art Museum in Cooperstown, NY, where it premiered in 2021.

- Exhibition Website -



In 2001 Tom Golden donated his collection of works by renowned artists Christo and Jeanne-Claude to the Sonoma County Museum. Golden's personal and professional relationship with the artists began when he met them during the 1974 public hearings for their project "Running Fence" in Sonoma and Marin counties, 1972-1976. Golden went on to manage or assist with a number of the artists' large scale projects. Golden's remarkable collection reflects his friendship with and admiration of Christo and Jeanne-Claude. Over 125 original drawings, sculptures, collages and photographs lovingly trace their impressive careers. 

- Exhibition Website -

OF EUROPE, 1895-1900

PAN, the important German five-volume Art Nouveau periodical, is replete with plates, illustrations, color initials, vignettes and tail-pieces representing a multitude of processes of modern picture reproduction, including original lithographs, etchings, and woodcuts, and other original and near-original processes in black and white or full color.

Included are collection of brilliant graphic works by such French, Dutch, Belgian, German, English, and Swedish artists as Rodin, Toulouse-Lautrec, Signac, and Seurat; Van de Velde; Rops; Kollwitz and Behrens; Nicholson, Rothenstein, and Pennell; and Anders Zorn, among many others. PAN’s literary contributers included such figures as Nietzsche, Novalis, Mallarmé, Maeterlinck, Ibsen, and Verlaine.

- Exhibition Website -


In 1970 David Hockney and Petersburg Press released Six Fairy Tales, a compilation of 39 etchings and the texts of Jacob and Wilhelm Grimm’s fairy tales, including: The Little Sea Hare, Fundevogel, Rapunzel, The Boy Who Left Home to Learn Fear, Old Rinkrank, Rumpelstilzchen. In this exhibition of 39 etchings illustrating the 6 fairy tales from the Brothers Grimm, Hockney has given each fairy tale his own interpretation. Rather than illustrating the stories literally, he has chosen vivid images to encapsulate a mood or detail. The etchings were drawn directly onto copper plates by Hockney between May and November 1969. It was a decade in which etching featured strongly for Hockney. As well as Grimms’ Fairy Tales, he made two other important series: A Rake's Progress (1961-3) and Illustrations for Thirteen Poems for CP Cavafy (1966).

- Exhibition Website -


66 works in 39 frames, plus analytical statements culled from Albers' extensive writings and text panels. Josef Albers was one of the 20th Century's most influential and articulate artist/ theorists. Formulation: Articulation is an overview of Albers' lifetime oeuvre. Published in 1972 by Harry N. Abrams, New York, the works were chosen by Albers himself and produced in silk-screen under his supervision by Ives-Sillman. Two text panels are also included: an introduction to and a chronology of Albers by noted author, art historian and independent curator, Gerald Nordland. This exhibition is an excellent introduction to one of the most influential theories of 20th Century art and is especially well suited for teaching galleries.

- Exhibition Website -



Email: info@a-r-t.com

310 397 3098